WOW!! GOKUROSAN!!! 23 fans voted and out of 120 songs mentioned,
after weeks of 'deliberation' we finally rounded up to just TOP 20. PHEW!! It's
always hard work when it comes to choosing B'z best songs coz there are simply
TOO MANY!!
CONCLUSION: Well, apparently this is Ultra Soul's
year as you can see 0__o From 2003 Top 20, twelve
songs are staying, proving that once a good song always a good song. Many nice
surprises with "Mou Ichido~", "Koi-Gokoro" and "Wonderful
Opportunity" sneaking into the list. It's nice to see some B-sides and
album songs listed, so that this list is not just another array of B'z no.1
singles. That means that the B'z fans involved in the voting are very well-versed
in their B'z discography. So much so that "The Circle" with great
songs hot from the oven couldn't even get a chance to reach the Top 20 (pity!),
well, with the exception of "Ai no Bakudan".
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Year
|
2001 |
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Album
|
GREEN |
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Mood
|
Super cool dance rock |
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Highlight
|
Combining highly motivational lyrics
with a rocking dance beat, this irresistible song never fails to cheer
people up. Definitely a B'z signature song, because despite the obvious
style, lyrics and its usual monstrous success, even people who are
not familiar with B'z works define B'z = Ultra Soul. |
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Special
Feature
|
3 versions available: Single vers. (original), Spanish
vers. (GOLD single, 2001), album vers. (Green style) |
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Look out
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Cool catchy bridge after Tak's expresso-like solo,
"Do it do it do it do it!!" |
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Year
|
1995 |
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Album
|
LOOSE, Best Pleasure |
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Genre
|
Dance rock |
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Mood
|
Dark, unashamedly passionate |
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Highlight
|
4:39 in length, this song has everything you could
ever hope for from an opera show: orchestra, dance beat, jarring guitar
sound, great singing, male/female dialog, sexy rap, all juicy ups
and downs of a drama! |
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Special
Feature
|
Originally performed in Livegyms before being released,
it's one of B'z monster singles that sold more than 2 million copies.
And LOOSE, the album the features it, sold more than 3 million copies. |
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Look out
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Awesome lyrics that capture the most intense form of lusting and
longing .
And true to the phrase 'it ain't over till the fat lady sings',
catch the ending opera bits by soprano singer Akemi Nori.
|
|
| 3. BAD COMMUNICATION |
| Vote: 11 |
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Year
|
1991 |
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Album
|
Bad Communication, LOOSE, Best Pleasure |
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Genre
|
Dance rock |
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Mood
|
Slightly dark, but has an irrepressible beat |
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Highlight
|
A signature B'z song that stayed on the Oricon charts
for 3 years! |
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Special
Feature
|
Two more versions of this song, full-english Bad Communication
E. Style (very clear English) and a full-blown, hard-edge, adult style
Bad Communication 000-18 ("LOOSE", 1995) |
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Look out
|
The classic opening line and the sensual Japanese
and English
lyrics |
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Year
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1997 |
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Album
|
Survive, Best Pleasure |
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Genre
|
Hard rock/ romantic ballad/ hard rock |
|
Mood
|
Incredibly romantic |
|
Highlight
|
Tak's awesome guitar during intro and outro; pay attention
to the variation as he just blows the mind. Beautiful piano and strings
arrangement. Koshi's singing style that's just REALLY CALLING
for you with all his heart. Of course, his amazingly sensitive
and heart-felt lyrics never hurt .
|
|
Special
Feature
|
This song almost never saw the light since Tak wasn't
quite sure how to finish it. B'z had it frozen for some time, took
it out and served it fresh to livegyms' audience. The fans loved it
so much, they wrote to the FC demanding for this unknown song to be
released as a single. |
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Look out
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The loveliest, one and only pre-chorus "Hitotsu
hitotsu to~ mado ni akari tomoru". And Tak's thunderous solo,
placed right before 2nd verse. |
|
| 5. AI NO BAKUDAN |
| Vote: 10 |
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Year
|
2005 |
|
Album
|
The Circle |
|
Genre
|
Pop-rock with a hint of punk |
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Mood
|
Joyous, energetic |
|
Highlight
|
The bright, soaring chorus. An amusing quote from a
fan, "It must be a crime for a pair of 40 yr olds to create such
addictive, energetic song!" |
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Special
Feature
|
Koshi may be fluent in English, but his gross mispronunciation
of "un deux trois" shows he's deficient in French
^^;;
|
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Look out
|
The song starts with Tak playing acoustic, then Koshi and the electric
instruments "bomb" in for a song that's relentlessly energetic.
|
|
| 6. SAMAYOERU AOI DANGAN |
| Vote: 9 |
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Year
|
1997 |
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Album
|
Best Pleasure |
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Genre
|
Upbeat hard rock |
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Mood
|
Energizing yet calming |
|
Special
Feature
|
This is a strangely motivational song .
The various sound effects and twisting melody combine in a way that
lets you almost feel the wind from the flying bullet in the title.
The ending slows down Matrix-style.
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Look out
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Crystal clear Tak's solo that runs up and down with blinding speed~
it's so awesome that Koshi has to take a sharp deep breath before
hitting the last chorus. Also, the whispered "You can fly"
at the beginning and end of the song.
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Year
|
1994 |
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Album
|
Best Treasure, Love & B'z |
|
Genre
|
Mellow rock (Aerosmithy) |
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Mood
|
Swimming in sin, guilt and pain |
|
Highlight
|
An amazing guitar solo that blends in so well, it almost
feels like an extension of Koshi's voice in the chorus. Tak keeps
the pain soaring and prepares the listeners for Koshi's painful scream
in the last chorus. |
|
Look out
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The full-English, emotionally-strung ending |
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Year
|
1992 |
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Album
|
RUN, Best Pleasure |
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Genre
|
Hard rock |
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Mood
|
Passionate longing |
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Highlight
|
The keyboard intro |
|
Special
Feature
|
The rap portion! Especially during live concert. Once
Tak did it all by himself, waaaah... |
|
Look out
|
Again, this song is like especially made for livegym.
If you have ANY B'z dvd with ZERO in it, two things to look
out for. One, watch Masuda Takanobu (keyboard)'s huge genki
grin when he plays the intro. Two, Koshi and Tak always do a guru-guru-mawaru
right before 1st verse =p They do this for every ZERO performance. |
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Year
|
2000 |
|
Album
|
Eleven |
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Genre
|
Head-banging rock |
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Mood
|
Energetic, sexual in a superficially subtle way |
|
Highlight
|
The background vocal "Baby it's alright" |
|
Special
Feature
|
The "PM mix" of the song adds more guitar
sound throughout the entire song (album version) |
|
Look out
|
There are tempo changes that add variety to the song.
Also, you have to see the performance in "A Beautiful Reel"
in which all the audience members blow whistles simultaneously! |
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Year
|
1998 |
|
Album
|
Best Treasure |
|
Genre
|
Pop rock |
|
Mood
|
Romantic in a cute, charming way |
|
Highlight
|
Bitter sweet puppy-love, all those precious doki-doki
moments in teen years are so well captured in the wonderful lyrics
of Koi-Gokoro
that they make you smile and go, "Gosh, it's so true!" And
Koshi cheekily wanted to ask Tak for advice too! "Matsumoto
ni shoudan shiyou ka?" |
|
Special
Feature
|
A specially choreographed set of Koi-Gokoro
dance makes this song one of the most beloved song by the livegym
audience. |
|
Look out
|
Female chorus in the background "A-B-C-D..."
and "Ma-chan, Ma-chan, help me, help me"...... Yep,
I'm not kidding. That cheeky Koshi! ^0^ |
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Year
|
2000 |
|
Album
|
Eleven |
|
Genre
|
Rock Ballad |
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Mood
|
Sad, self-questioning, mourning |
|
Highlight
|
The first time the chorus roars over you, like you've
just been pummeled by a speeding wall of water, and Tak's masterpiece
solo that soars, splashes, flows and races through the cymbals' crashing. |
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Look out
|
Tak's slamming guitar and Koshi's weeping screams fuse
together for the last chorus, as Koshi screams out these last lines:
"I wave my hands to those who are returning home
And for my own sake, one more time
Wash away, wash away, I embrace this pain and fight on..." |
|
| 12. GIRI GIRI CHOP |
| Vote: 7 |
|
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Year
|
1999 |
|
Album
|
Brotherhood |
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Genre
|
Fast, hard rock |
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Mood
|
Proud, aggressive |
|
Special
Feature
|
There are two versions available, single (original)
vers. and album version (Giri Giri Chop vers 51). The later was recorded
in L.A. more than 50 times and they took a liking to trial number
51. The single version has a rough feel, while the album version is
smoother. |
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Look out
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Tak's insane guitar solo and Koshi's maniacal laugh
that follows |
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Year
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1999 |
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Album
|
Brotherhood |
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Genre
|
Interesting mix of hard rock and ballad |
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Mood
|
A serious, sweeping, passionate story of a song |
|
Special
Feature
|
Asian fusion ~ the drama of the light Chinese-style
orchestral intro is shattered with heavy rock beats. And some of Tak's
best riffs. |
|
Look out
|
Koshi's flawless performance. He sings with an amazing
emotional intensity that makes the melody soar ~ especially "motto
nagai aida aishitekuremasen deshou ka?" and the ending "taaAAAIII". |
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Year
|
1999 |
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Album
|
Brotherhood |
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Genre
|
Rock ballad |
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Mood
|
Hopeful yet melancholy |
|
Highlight
|
The ultimate B'z 'male-bonding' song, what is shared
between brothers or friends are captured perfectly in the lyrics .
Guys just love it, uh- ok, and girls too. |
|
Special
Feature
|
This song has inspired B'z fans so much ever since
it was released, that the Japanese B'z fans refer to one another as
'brothers' (^_^) |
|
Look out
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Koshi's amazing performance on the bridge where he
manages to squeeze in so many syllables into the same 4/4 intro riff.
Tak's solo is simply a work of art. |
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Year
|
1998 |
|
Album
|
Love & B'z |
|
Genre
|
Country pop/rock |
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Mood
|
Upbeat, yet comforting... like an old familiar tune |
|
Special
Feature
|
Mix of acoustic & electric guitars with downhome
ambience. Catchy sing-a-long chorus and a spiraling guitar solo. Great
example of how B'z can fuse different genres together, while still
maintaining pop sensibility. |
|
Look out
|
Koshi's voice that comes out of the left speaker during
the pre-chorus |
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|
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Year
|
2003 |
|
Album
|
Big Machine |
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Genre
|
Upbeat rock |
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Mood
|
Energetic, highly addictive |
|
Highlight
|
Great rhyming chorus and Tak's 'listen-to-me-squeeze-193439284-notes-into-fifteen-second-solo'
guitar solo. |
|
Look out
|
First vocal harmonization at the first verse always
sounds way too awesome =p |
|
| 17. MOU ICHIDO KISS SHITAKATTA |
| Vote: 6 |
|
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Year
|
1991 |
|
Album
|
In The Life, Best Treasure, Love & B'z |
|
Genre
|
Soft piano ballad |
|
Mood
|
Romantic |
|
Highlight
|
Koshi's hushed singing |
|
Special
Feature
|
After the album came out, in a few interviews, Tak
many times expressed his regret for not making this song a single.
It's interesting that despite Tak's own acknowledgement about how
the melodies get repeated a lot and therefore he told Koshi to write
a story-like lyrics
to save the song, he apparently has high regards to this song.
And so do us, the fans! ^0^ |
|
Look out
|
Get BUZZ!! dvd and watch a beautiful beautiful (bonus)
performance of this song! |
|
| 18. ITSUKA NO MERRY CHRISTMAS |
| Vote: 6 |
|
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Year
|
1992 |
|
Album
|
Friends, Best Treasure, Love & B'z |
|
Genre
|
Slow pop |
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Mood
|
Heart-wrenchingly sad |
|
Highlight
|
Exemplary acoustic work by Tak and deep soulful singing
in lower key than usual by Koshi |
|
Special
Feature
|
This song has been a classic in the J-music world since
it hit the scene more than 10 years ago. Performers and admirers include
Ayumi Hamasaki (who performed it 2x) and Gackt (2x). Both have listed
this very song as their favorite Christmas tune every year. |
|
Gackt's
Quote
|
"It's such a sad song. I don't know why, but every
time I listen to it, I feel like walking outside on the street." |
|
Look out
|
Tak's weeping ending solo and awesome lyrics  |
|
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|
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Year
|
1997 |
|
Album
|
Survive, Best Treasure |
|
Genre
|
Angry rock |
|
Mood
|
Angry, paranoid |
|
Highlight
|
The ending line, "Baby do you want the truth,
baby do you want it?" |
|
Special
Feature
|
The semi-rhyming lyrics |
|
Look out
|
Tak's guitar playing captures the same anger in Koshi's
voice. |
|
| 20. WONDERFUL OPPORTUNITY |
| Vote: 6 |
|
|
Year
|
1991 |
|
Album
|
In The Life |
|
Genre
|
Uplifting pop rock |
|
Mood
|
Uplifting, emotionally strong |
|
Highlight
|
The repeated "Shinpai nai mondai nai nai nai
that's life it's alright" |
|
Special
Feature
|
Backup vocals from the soon-to-be star Ohguro Maki |
|
Look out
|
Koshi's straightforward lyrics
tell people that life is hard, so they should face it--cooler than
promising a fairy-tale ending. |
|